Defoe's last novel is a remarkable curiosity. It addresses issues of female sexual freedom and financial independence head-on, and must have seemed daringly radical when it was first published in 1724. It gives full narrative control to its eponymous heroine, who chooses what parts of her own story to tell, and what to omit, and who is the sole judge of her own actions and motivations. It sets up a fascinating three-way conflict between pragmatic necessity, social conventions and absolute morality.